Monday 14 May 2012

I WANNA LOOK LIKE GRACE KELLY...


So, Iris and I headed up to Bendigo for Mother’s Day, to see an exhibition at the Bendigo Art Gallery called Grace Kelly: Style Icon.

I suggested it to Mum a while ago, thinking it would be something she’d enjoy.  She was enthusiastic about it, but didn’t say too much as the event came closer. 

So, here am I thinking ‘fuck… I hope she likes this, and I’m not dragging her along to something she’ll suffer though in silence.’

I couldn’t have been more wrong.  I near had to drag her out of the place.

On the drive up there, Mum said that she remembered Grace Kelly during her Hollywood years (Mum would have been in her very late teens/early twenties, at the time).  She said that she thought she was just so beautiful; a real, natural beauty.  Just like Elizabeth Taylor; stunning beauties.

She rattled off some of the movies she had seen, especially Rear Window, To Catch A Thief and High Society.  She remembered her pictures in magazines all the time.  She remembered that so many women, including herself, loved her beauty and fashion. 

Mum said that her name reflected her nature: she was just… graceful.

She also remembered that just about every woman out there wanted to marry a Prince and live happily every after; just like Grace Kelly.

The exhibition featured a lot of outfits and dresses that she wore during both her Hollywood career (including the one she wore to the Oscars in 1955, when she won an Academy Award for Best Actress for The Country Girl), and her time as Princess of Monaco.

It even has her magnificent wedding dress and shoes on display, as well as a few select pieces of Cartier and Harry Winston jewellery, included a crown that belonged to the Crown Princess of Monaco, Prince Rainer’s (Grace’s husband’s) mother, which Grace had worn herself.

I was astonished at the history in these items.  A gorgeous outfit from High Society, the last film she ever made (apart from the film of her marriage), Rear Window (I actually remember the scene in which she wore that very dress), and many others.

However, the most amazing gowns are from her royal period.  Gowns designed by Dior, Balenciaga, Givenchy, Chanel and Yves St Laurent, in styles and designs that are typically reflective of their periods (1950’s, 60’s & 70’s).

It’s surreal to stand there and look at a photograph of Princess Grace standing in the dress, and then see it behind glass directly in front of you.  The dresses are stunning, but seem lifeless without the soul of Grace in them. 

Again, the history is amazing.  Some of these dresses are now nearly sixty years old, and are in pristine condition.  They look like they’ve never been worn, yet she wore some of those dresses several times.  She had her favourites, and wore them again and again.

The fashion then was so different to now.  Now, it’s all about fake tans, fake boobs, flesh and crass behaviour. 

Back then, during the golden years of Hollywood, it was about beauty and elegance; grace and style. 

Apparently, Princess Grace use to do her own hair, makeup and nails, and was more concerned about wearing clothes that suited her personality and style, and didn’t necessarily conform to the demands of current fashion. 
 
Understandable attitude when you’re the person setting the trends.

With flawless skin, gossamer hair, a beautiful figure and perfect features, it was no wonder Princess Grace was one of the most photographed women of the 20th century.

She’s had such an amazing impact on fashion, and she’s certainly made an impact on history itself.  Thirty years after her tragic passing, we still remember her so well.

As I stood back and watched Iris waddle her way through the crowds of people with her walking frame so she could get closer to the glass displays, I couldn’t help but smile.  I could see a young woman standing there looking up at these dresses, lost in a mixture of admiration and memories.

These were the times and fashions that young Iris grew up with.  Periods where people wore dresses below the knees, matching hats, bags and shoes, and of course: white gloves.  A lady never stepped out without her gloves.

Here was a woman that spent years making clothes and working with fabrics, standing there admiring the cut of these dresses and the beautiful, lavish fabrics.  At one point, she turned to me and said ‘You would think they wouldn’t have her wear a dress with a puckered seam down the front, would you?’

I laughed.  Only someone with dressmaking knowledge, and knowledge of fabrics would pick that.  Forget that Princess Grace of Monaco wore that very dress to her 25th Wedding Anniversary celebrations, and it had been designed by an internationally famous couturier. 

It had a pucker down the front seam.   Bless.

For Iris, I think that trip down memory lane was over too quickly.  She reminisced over some movie posters before we finally left the life of Grace Kelly behind us, and entered the cold reality of a chilly Bendigo autumn day.

Whether you’re a lover of Hollywood history, a student or admirer of couture fashion, or just love the idea of ‘the Grace Kelly story’; if you have the opportunity, take a trip to the beautiful city of Bendigo, and check the exhibition out.  It’s exclusive to the Bendigo Art Gallery, and will be leaving the country after its run has finished in June.

Peace out.

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